About

Hello, world! 🌍 My name is Victor Gybels (b. 1996, Uccle). I began my practice in sound art, creating installations and performances, and have recently expanded into visual work, including experimental photography and video. Music remains central to my practice; I run In Unison, a label dedicated to experimental electronic music, and have released music on various other labels. Performing live will always hold a special place in my heart.

Do you want to ask me something? Do you want to send me music, poetry, or other things you’ve made? Do you want to work together, online or in “real” life?

Send me a message. I’ll do my best to read and answer everything.

Artistic CV

group exhibitions

2026 What did you pass on to me, Galeries Le Bailly, Brussels (BE). Curated by Frederick Gordts, Giulia Blasig, Charlotte Norwood & Nicole O’Rourke

2026 Metamorphoses, Galerie P., Oostende (BE). Curated by Artus Mundi.

2025 Fake Lamps, Galerie Ravenstein, Brussels (BE).

2024 Warp Crash, Pilar, Brussels (BE). Curated by Chaos Village.

2023 Dragon, Reset, Brussels (BE). Including two week residency, Hosted by Garage29 & Pierre-Louis Kerbart.

2023 We warm the species, De Vooruit, Ghent (BE). Hosted by KASK School of Arts.

performances/events

2024 Reset, Brussels (BE). Hosted by Slagwerk.

2023 Decoratelier, Brussels (BE). Hosted by LYL Radio.

2023 Dokrijk, Antwerp (BE). Hosted by Overlast.

2022 Memories are louder than images, Objects and Sounds, Ghent (BE).

2021 Hashhash Algorave, Lavallée, Brussels (BE).

2020 Hash#hash Livecoding Workshop, Recyclart, Brussels (BE). Hosted by Lawrence McGuire & Victor Gybels.

2020 Eulerroom Equinox, streamed

2020 Livecoding performance, HSBXL, Brussels (BE).

Other things I want to share

Wat hebben Ovidius en Kafka met een Oostendse galerie gemeen? (2026 - dutch).

Art critic Yves Joris on my work. I like this perspective because it describes me as a photographer, even though the work itself was produced entirely on my computer.

“…Victor Gybels fotografeertde zee op A4-formaat en laat haar bijna verdwijnen in licht en atmosfeer. Zijn Sint-Idisbald - een plek aan de Belgische kust die hem naar eigen zeggen diep heeft geraakt - is hier niet als document aanwezig maar als stemming, als visueel akkoord. Dat past in deze ruimte, op deze locatie, waar de Noordzee buiten het raam hetzelfde doet: aanwezig zijn zonder zich te verklaren…”